Insider's Picks: Tomashi Jackson

 
 

Tomashi Jackson

Tomashi Jackson is an artist who lives and works in New York, New York and Cambridge, Massachusetts.

View Tomashi’s Picks on Artsy

 
 
 
Tomashi Jackson in her Studio. Image courtesy of The New York Times. Photo: Christopher Gregory

Tomashi Jackson in her Studio. Image courtesy of The New York Times. Photo: Christopher Gregory

 
 

Tomashi Jackson (born 1980) is an American multimedia artist working across painting, video, textiles and sculpture. Jackson was born in Houston, Texas, raised in Los Angeles, and currently lives and works in New York, NY and Cambridge, MA. Jackson was named a 2019 Whitney Biennial participating artist. Jackson currently working on a show and publication for an Exhibition at the Radcliffe Institute for Advanced Study. She is currently represented by Tilton Gallery in NYC and Night Gallery in LA.

Follow Tomashi @tomashi_ashi

 
 
 
Naomi Safran-Hon Those Who Got Entangled, 2020 Acrylic, lace, cement, barbed wire, and archival ink jet print on canvas and fabric 63 × 90 × 4 in 160 × 228.6 × 10.2 cm Courtesy of Slag, New York

Naomi Safran-Hon
Those Who Got Entangled, 2020
Acrylic, lace, cement, barbed wire, and archival ink jet print on canvas and fabric
63 × 90 × 4 in
160 × 228.6 × 10.2 cm
Courtesy of Slag, New York

 
 
 
Lucia Hierro Mandao: Para Baby Chower (Hung Open) #2, 2019 Polyorganza, felt, and digital print on brushed nylon 42 × 57 × 5 in 106.7 × 144.8 × 12.7 cm Courtesy of Sean Horton (presents)

Lucia Hierro
Mandao: Para Baby Chower (Hung Open) #2, 2019
Polyorganza, felt, and digital print on brushed nylon
42 × 57 × 5 in
106.7 × 144.8 × 12.7 cm
Courtesy of Sean Horton (presents)

 
 
 
Kalup Linzy Florida On The Phone, 2019 Gouache and photo collage on canvas 13 × 16 in 33 × 40.6 cm Courtesy of Sean Horton (presents)

Kalup Linzy
Florida On The Phone, 2019
Gouache and photo collage on canvas
13 × 16 in
33 × 40.6 cm
Courtesy of Sean Horton (presents)

 
 
 
Clement Valla Wood Duck Suit, 2019 Inkjet on polyester satin, brass 87 × 30 × 30 in 221 × 76.2 × 76.2 cm Courtesy of bitforms.

Clement Valla
Wood Duck Suit, 2019
Inkjet on polyester satin, brass
87 × 30 × 30 in
221 × 76.2 × 76.2 cm
Courtesy of bitforms.

 
 
 
Cristina BanBan Angustia, 2020 Colored pencil on paper 30 × 22 in 76.2 × 55.9 cm Courtesy of 1969 Gallery

Cristina BanBan
Angustia, 2020
Colored pencil on paper
30 × 22 in
76.2 × 55.9 cm
Courtesy of 1969 Gallery

 
 
 
ELIA ALBA Gentle Warrior, 2019 Silk screen transfer on fabric, French lace with pearls, thread, wire, poly-fil, zipper, acrylic 6 × 8 × 10 in 15.2 × 20.3 × 25.4 cm Courtesy of Samsøñ

ELIA ALBA
Gentle Warrior, 2019
Silk screen transfer on fabric, French lace with pearls, thread, wire, poly-fil, zipper, acrylic
6 × 8 × 10 in
15.2 × 20.3 × 25.4 cm
Courtesy of Samsøñ

 
 
 
Bonolo Kavula Live a little , 2020 Cardboard 58 3/10 × 53 1/10 × 2/5 in 148 × 135 × 1 cm Courtesy of Suburbia Contemporary

Bonolo Kavula
Live a little , 2020
Cardboard
58 3/10 × 53 1/10 × 2/5 in
148 × 135 × 1 cm
Courtesy of Suburbia Contemporary

 
 
 
Nyugen E. Smith Bundlehouse (Fourteen x Eleven No.5), 2019 Mixed media and collage on panel, wood hand-made artist frame 14 × 11 in 35.6 × 27.9 cm Courtesy of Samsøñ

Nyugen E. Smith
Bundlehouse (Fourteen x Eleven No.5), 2019
Mixed media and collage on panel, wood hand-made artist frame
14 × 11 in
35.6 × 27.9 cm
Courtesy of Samsøñ

 
 
 
Anneke Eussen Little Triumph , 2020 Recycled marble pieces from the former "Staatsbibliotheek" (State library) in Berlin, black wires, nails 59 1/10 × 41 7/10 × 1 1/5 in 150 × 106 × 3 cm Courtesy of Tatjana Pieters

Anneke Eussen
Little Triumph , 2020
Recycled marble pieces from the former "Staatsbibliotheek" (State library) in Berlin, black wires, nails
59 1/10 × 41 7/10 × 1 1/5 in
150 × 106 × 3 cm
Courtesy of Tatjana Pieters

 
 
 
Lucia Love Holding Pattern, 2019 Oil on panel 18 × 24 in 45.7 × 61 cm Courtesy of JDJ

Lucia Love
Holding Pattern, 2019
Oil on panel
18 × 24 in
45.7 × 61 cm
Courtesy of JDJ

 
 
 
Ranee Henderson Strikers strain, but the sap's so sticky, 2019 Oil on canvas 72 × 48 in 182.9 × 121.9 cm Courtesy of Rubber Factory

Ranee Henderson
Strikers strain, but the sap's so sticky, 2019
Oil on canvas
72 × 48 in
182.9 × 121.9 cm
Courtesy of Rubber Factory

 
 
 
 
Rebeca Laliberte